The Journal
Process notes, behind-the-shot breakdowns, and the occasional rant about why the flock is usually wrong.
Why I stopped chasing "perfect" light
Some of my favorite frames happened because the light was wrong, not right. Here's what I learned from letting go of the golden-hour obsession.
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Shooting Neon Streets on a Ricoh GR
Gear talk, and why shooting on a fixed-lens compact made the whole series better than juggling options ever would have.
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On being the sheep that goes the other way
The story behind the name Radical Sheep — a play on "radical chic" — and why it fits how I approach photography, web design, and everything else.
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